The G7 arpeggio is built from the notes G (R), B (3), D (5), F (♭7). On Haute Gitanerie you can see it across the whole guitar neck: contained position boxes, long diagonal forms, and its parent scale (G Phrygian dominant), with note names in English (C D E) or solfège (Do Ré Mi).
The G7 chord
The G7 chord voicing uses those same notes (G (R), B (3), D (5), F (♭7)). Switch the fretboard to Chords to see gypsy-jazz voicings for G7, or keep Arpeggio to practise the tones one at a time. Same shape, two ways to hear it.
How to practise the G7 arpeggio
Start with a contained position box near the low strings, then move it up the neck fret by fret, or follow a diagonal form for a two-octave sweep in the manouche style. Every note is labelled with its interval (R, 3, 5, ♭7), so you always know where the root, third, fifth sit.
On a dominant, the ♭9, or the diminished on its 3rd (= a semitone above the root, the 7♭9 without its root), adds the manouche tension and leads up a half-step to the tonic.
